KEN
That was the last one, Katherine, I swear it!
KATHERINE
I understand, Ken; I hear you.
KEN
No, you don’t understand. You hear me, but you don’t understand.
KATHERINE
I understand you, and I hear you.
KEN
No, you don’t!
(He dramatically waves the tin in the air)
Half of my patients wouldn’t even need me as long as they do if they’d adhere to some basic listening skills. You know, listening has nothing to do with hearing.
(KATHERINE tries to interrupt)
All that whining and crying and carrying on and on and on! The majority of those people just got up there to hear themselves speak, you know.
KATHERINE
What are we talking about now?
KEN
See? There you go; you’re not listening to me!
KATHERINE
(Honestly)
I’m not listening, or I’m not hearing? Or don’t I understand?
KEN
Your subtle sarcasm is an unattractive quality, Katherine.
KATHERINE
But I am...confused, Ken! I really am! You switched conversations on me.
KEN
That was the last one, Katherine, and I mean what I say.
KATHERINE
Our last conversation?
KEN
(Losing it)
Funeral! That was my last funeral! You can go by yourself next time! Or take a friend!
(Exasperated, he accidentally drops the tin)
KATHERINE
(She picks up the tin and hands it back to him)
You wouldn’t have even gone if they hadn’t let you speak. Besides, Ken, it isn’t as if it were just anybody. This was a relative; it was important that we both were there.
KEN
He was your mother’s sister’s husband. You didn’t even share the same blood. No one should have to attend a funeral where their spouse isn’t even of the same blood as the deceased.
KATHERINE
That’s true, but I don’t think that should have been the opening of your eulogy....
KEN
(He notices left over ashes in the fireplace. He walks over, picks up the fireplace broom and
begins to sweep up)
Nobody would have cared one way or another. And the least they could have done was provide a decent lunch. The Gaspar funeral last month had pheasant! Pheasant’s a far cry from cheese and crackers.
KATHERINE
This was all bad timing, I know. You’re just stressed, honey. But it’s only five. We have three hours to finish up....
KEN
The guests will be here at seven.
KATHERINE
But the writer won’t be here until eight. I’m sure your patients can just relax a bit if things aren’t ready on time.
(She goes to the small end table by the couch and picks up the small, white box)
Is this ready? Do you need to charge the batteries or plug it in?
KEN
(Dropping the broom, he grabs the box from her and puts it back)
Don’t touch that dial, Katherine…
KATHERINE
I’m not, I’m not…
KEN
This is just the prototype; I’m still unsure of its total power. I don’t need my wife messing around with it.
KATHERINE
I’m sorry, I won’t touch it.
KEN
And what’s it doing lying around in the open? It should have stayed locked in the cabinet until tonight.
KATHERINE
Well, I told Fulga to put it on the table this afternoon so it would be all ready.
KEN
It needs to stay hidden. I wouldn’t put it past Wright to put on a Santa outfit and come through the chimney to steal it.
KATHERINE
Oh, but he’s been at the funeral all day with us.
KEN
(He continues to clean the fireplace)
I was being sarcastic, Katherine. No, he wouldn’t dare come into our house to steal it; I’m sure he employs thugs to do his dirty work.
KATHERINE
You still think he was the one who took your original plans for the box?
KEN
I know he hired someone to do it.
KATHERINE
Well, that’s all under the bridge now. After all, you created the box, and you’re the one who’s going to get the publicity after Mr. Whitney writes his article, and you’re the one who’s going to help all those people…
KEN
And I’m the one who’ll be collecting all the money. If it works.
KATHERINE
Oh, it’ll work. It worked on those laboratory monkeys didn’t it?
KEN
(He notices there is no place to put the swept up ashes, so after a moment he opens the tin and puts
the ashes inside. KATHERINE grimaces slightly)
Yes, but those were simple commands. Who knows what it will do to a whole bunch of nutcases.
KATHERINE
Make sure you don’t slip and say that in front of your patients, Ken.
KEN
Don’t lecture me. They love it when I call them nutjobs. It makes them feel like they have personalities. Now why are we standing here talking? Make sure everyone is ready to go.
KATHERINE
If they’re not, the guests can wait in the living room until we finish things up.
KEN
“We?” What are we paying those people in white for? They’d better have things ready by seven; they’ve had plenty of warning.
KATHERINE
They will, dear; I’ll just go check with Fulga.
(She starts to exit into the kitchen)
KEN
Did you notice the way he was acting when we were surrounding the urn?
KATHERINE
Who, darling?
KEN
Eyes all red and puffy; acting as if he personally knew him.
KATHERINE
You mean Wright? Well he did know Uncle Michael. He became his doctor last month when Dr. Adams retired. We are talking about Dr. Wright aren’t we?
KEN
Last month? No wonder he died.
(He tosses the tin on the couch and sits down next to it)
In any case, all that over sentiment was very unprofessional.
KATHERINE
He wasn’t crying. It was his allergies.
KEN
Allergies? From what?
KATHERINE
Daniela Burrows thought it must have been from the...from the...ashes.
KEN
No one’s fault but his own; bending over and peering in like a snoopy neighbor.
KATHERINE
I think that was just Dr. Wright’s way of saying “goodbye.”
KEN
Why would he need to look in anyway? What did he expect to see down there?
KATHERINE
(Honestly)
I’m not sure, but I don’t think you should have said that out loud either…
KEN
(Small grin)
He got a little teed off, didn’t he?
KATHERINE
I don’t know, I guess he might have been upset...but he wasn’t officially there was he, Ken? I mean, unless you believe in spiritual phenomenon.
KEN
I wasn’t talking about your Uncle Michael! I was talking
about Wright!
KATHERINE
Oh.
(A thought)
Perhaps you’re a little tired, Ken. Maybe you should lie down awhile before all the activity starts.
(The kitchen door swings open and TONY comes in, dressed in chef ware)
TONY
Excuse me, I didn’t mean to interrupt…
KEN
Who are you?
TONY
I’m Tony. I’m the culinary artist for the evening.
KATHERINE
Oh, that’s right.
KEN
Where’s Alberto and Lucas?
KATHERINE
They had other plans tonight, I forgot to tell you.
KEN
They’ve known about this for weeks!
KATHERINE
Yes, but apparently they got a once in a lifetime job tonight, and they said they couldn’t pass it up.
KEN
They’re fired.
KATHERINE
That’s fine. They also said you could fire them if you wanted to.
KEN
What kind of “once in a lifetime job” would they take and jeopardize their jobs here?
KATHERINE
I don’t know…
KEN
After ten years you would expect…
(He thinks)
…this smells like Wright.
KATHERINE
What do you mean?
KEN
Getting rid of my only cooks on the night I need them most. Sounds like sabotage to me…
TONY
Should I come back at another time?
KEN
NO! Who hired you?
TONY
A woman named….I think her name was, “Foolga?”
KATHERINE
Oh, Fulga. That’s our head housekeeper.
TONY
She called my agency.
KEN
Where’s the other chef?
TONY
Please, sir, if you don’t mind, we prefer, “culinary artists.”
KEN
Where’s the other cook?
TONY
My cousin, Rico. He has not arrived as of yet.
KEN
Let me know when he gets here. I want to debrief the both of you at the same time.
TONY
Debrief, sir?
KEN
You need to understand the importance of this evening. It’s bad enough I have to break in two new servants on a night like this.
TONY
You have nothing to worry about, sir. We’ve completed our schooling at Dubrulle International Culinary and Hotel Institute of Canada.
KEN
So what you’re saying is you have a license to cook at The Howard Johnson’s?
TONY
Well, not exactly…
KEN
Comforting. I’m going to lie down for a while.
KATHERINE
Oh, that’s a good idea. I’ll come up and get you an aspirin.
KEN
(To TONY)
You get started with or without your partner.
KATHERINE
If you need anything, just find Fulga. She’s probably in one of the rooms making up the beds.
KEN
Speaking of that, where’s that bell I bought?
KATHERINE
It’s in the kitchen, dear. I’ll get it later.
KEN
Did you go over the bell rules with the staff yet?
KATHERINE
Not yet, but I…
KEN
We’ve purchased a brass bell for this evening. Whenever you hear it, you come running like Pavlov’s dogs.
KATHERINE
Let’s go lay down, Ken. I’ll explain the bell situation to Fulga and the rest of the staff before the guests arrive.
KEN
Fine. I have a tremendous headache.
(He hands the red tin to KATHERINE)
Here. Take your uncle’s ashes and put them somewhere outside this house. I don’t want to see them ever again.
(He exits)
KATHERINE
Here, um…Mr., um?
TONY
You can call me Tony, ma’am.
KATHERINE
Would you please put this…somewhere out of the way. I’ll find some place to put it later.
TONY
Do they need to be refrigerated?
KATHERINE
Oh, no, nothing like that. Just put them somewhere where Dr. Sandora won’t find them.
(She exits out the hallway. TONY just shrugs and heads for the kitchen. But before he goes, he
spots the white speaker-like box on the end table. He goes to it and gingerly picks it up to take a closer look. As his back is turned, the closet door behind him slowly opens. RICO tiptoes out and stands right behind TONY. In addition to his outfit, he is wearing a diamond around a necklace. It’s gaudy. He taps him on the shoulder and TONY jumps up, nearly dropping the box)
TONY
What the-
RICO
Hey, cousin. Scared you, huh?
TONY
What are you trying to do, give me a heart attack? I almost
dropped this thing!
RICO
Is this his box?
TONY
It looks like a piece of crap. Wires all sticking out…
RICO
Wanna try it out first?
TONY
NO! I shouldn’t even be touching it.
(He puts it back)
Where were you?
(He looks back)
Were you hiding in the closet this whole time?
RICO
Yeah, I got here a couple of hours ago and went through the whole plan, but they got home a little earlier than I expected so I had to hide in the closet.
TONY
(He grabs his heart)
Jeesh, you got my mitro valve prolapse acting up. Where’s all your box and the rest of the stuff?
RICO
(Going back to the closet, he bends down and picks up a small suitcase)
It’s all here.
(He opens it up)
TONY
Let me check, I don’t want you messing everything up.
RICO
(He shows the items from the suitcase to TONY while naming them off one by one)
Blueprints, music, masks, earmuffs…
TONY
Where’s Wright’s box?
RICO
Here.
(He pulls out a similar looking box, but this one is put together more professionally)
I like this one better.
TONY
Yeah, but they both work the same. Where are the copies of the patient charts?
RICO
(He fiddles in the upper partition of the suitcase)
Right here.
TONY
Four files, right?
RICO
Four patients, four files.
TONY
And you’ve been reviewing them?
(TONY takes one of the files and leafs through it)
RICO
I’ve memorized them. I got them from Dr. Wright on Monday, and since last night it’s all up here.
(He points to his head)
TONY
What is an “O”?
RICO
That would be Omar Limon, patient number 61971. His friends and family call him “O”. Twenty-two years old and has been a patient of the doctor for only six months.
(Throughout the following lines, TONY looks through the other three files)
PTSD patient.
TONY
(He checks his pulse at the neck)
And that would be?
RICO
Post Traumatic Stress Disorder. This one’s really strange. Apparently, Mr. Limon has seen “one too many scary movies” in his lifetime. Swears he started watching horror movies after Romper Room refused to call out “Omar” in the magic mirror.
TONY
(He grabs his heart again)
Wow, I can feel my arterial wall thickening from the stress.
(Back to the charts)
What else?
RICO
Apparently it got to him one day. He had just finished watching Stephen King’s Christine, and Mom found him an hour later laying under her Mercedes claiming the thing had gotten pissed off and backed right over him. Mom brought him to Dr. Sandora’s office within three hours. They would have been there sooner, but Omar made them take bikes.
TONY
I can’t believe he has so many young people taking part in his experiment.
RICO
I think that’s part of the reason why Dr. Wright is so upset.
TONY
Upset? What are you talking about? I thought he just wanted to see how the box works.
RICO
Oh, yeah, I’m sure that’s really what this is all about.
TONY
What are you hiding from me?
RICO
Nothing.
(TONY looks at him)
Nothing! I was just doing my own thinking.
TONY
God help us.
(BEAT)
Now you’re going to help me with the cooking until it’s time for you to do your job. What’s your basic plan for the closet?
RICO
I put the ear muffs on, pull them in one and at a time, and put them under hypnosis. Simple.
TONY
How are you going to distract the doctor so you can get at the patients?
RICO
Don’t even think about it. You do the cooking; I’ve gone over the plan for a week now. I have a whole script written out with endless possibilities written and rehearsed. When does Dr. Wright pay us?
TONY
He dropped off the first half this morning on his way out to some funeral.
RICO
And the rest?
TONY
Tonight after the job is done. Of course, I have no idea how he’s going to know if we did anything or not.
RICO
Because when I got here I installed a listening device under the couch and a small camera in that heating vent up there. He’ll be in a van across the street listening and watching the whole time.
TONY
Not a very good move. I think Sandora’s already suspecting Wright as it is. If he finds out, I’ll have another heart attack for sure.
RICO
Tony, stop talking about heart attacks! That was built up gas and you know it. You’re twenty-eight years old…you’re not going to have a heart attack. And if Sandora does find out Wright stole his idea and hired us to biff it all up for him, who cares? We’ll be carrying our cash and flying out of the city.
(Thought)
Hey, did you tell them we graduated from that culinary school in Canada?
(TONY nods)
Such a nice touch!